Bird On The Wire

While the vibe on 2014’s Mirrors the Sky remains restrained romanticism and dreamy drama, Lyla Foy had no problem scratching her pop itch. With a recording setup is simple enough that she’s able to pack it into a car and take it wherever she pleases, and it shouldn’t surprise anyone that some of the pastoral sounds captured on the record were designed in the English countryside. But perhaps the most significant departure on the album was the one that didn’t take Foy out of town: four days at Bella Union’s studios in East London helped solidify all of the sounds she’d been making throughout spring and summertime.

For a project that began as a single song in a London bedroom, Lyla Foy’s hypnotically hushed songs have come quite a long way over the past years, figuratively and literally, as her unity with Sub Pop finds her spending quality time supporting Mirrors the Sky across the globe. Funny how taking a singular route has led to such a momentous journey.

Having been in the studio over the last six months working on new recordings, she is back with a special intimate performance at The Courtyard Theatre in London on 1^st October 2015. The show will feature a lot of new material, which will comprise her next release.
http://www.lylafoy.com

Dead Flowers

https://wearedeadflowers.bandcamp.com/