Due to Covid-19 travel restrictions SUUNS show at Oslo on 25th Oct 2021 will now take place on 31st May 2022. All existing tickets remain valid and ticket holders will be contacted directly.
Those of you who are familiar with films like The Wizard Of Oz and The Prestige might relate: the mechanics behind the magic can be just as compelling as the smoke and mirrors themselves. Just ask Montreal outfit SUUNS. As a band who have been around for thirteen years and toured all corners of the world, there comes a point where the veil needs to be fully lifted. Up till now, the experimental rockers have revelled in mystery like a silhouette disappearing into the mist, putting out albums that rest comfortably in ambiguity, detachment and innuendo. But lately, SUUNS appear to be more comfortable coming clean with their own inner workings. “This is a very geeky thing,” singer/guitarist Ben Shemie delineates. “But we never really commit to a certain kind of tonality. Whether it’d be major or minor, there’s always a certain kind of evading of what your own expectation is.”
Nevertheless, SUUNS’ fifth full-length album The Witness – their first for Joyful Noise Recordings – once again marks a shrewdly offbeat left turn. The tried-and-true narrative for a band of this nature is always to ‘move to the deep end’ or ‘out of the comfort zone’. In some ways that rings true on The Witness, though one could say these eight movements actually show SUUNS in their most comfortable, candid state. Self-recorded and self-produced over the majority of 2020 – a year of strife, solitude and reflection –, The Witness finds the band holding a magnifying glass over their own default state of playing and performing. It’s a swift departure from previous album Felt, which exults in harvesting haphazard ideas in their embryonic, demoed versions, as if letting loose a glorious fireworks display into the heavens.
The Witness, meanwhile, pours SUUNS’ music into a more intricate mold, compelling Shemie to unravel himself lyrically in a much more pronounced fashion. “There’s something interesting about the idea of a collective witness, being a witness to the time we’re living in now,” he reflects. “And the connectedness of what we all have in common. But also, literally: bearing witness to all sorts of things and how that desensitizes you. There’s a recurring line that comes back on the record: “I know that you’ve seen it too.”
Perhaps unintentionally, SUUNS have always been a strangely intimate band, and with The Witness, they themselves became aware of the extent of this. More than ever, SUUNS keeps those spontaneous moments in the album recordings. “We just do that more improvised stuff so naturally live,” Joe Yarmush adds. “It’s kind of weird that it hasn’t been a big part of our albums up till now.. We’re trying to embrace that side of the band for sure. That’s also part of SUUNS just being the three of us now.”
With one member down and Shemie now living an ocean apart in Paris, a fresh challenge manifested for the trio to find each other again, both socially and creatively. More than any other SUUNS record, The Witness employs a jazz mentality of designing a continuous vibe over the notion of separate chapters. There’s a level of relaxation, of accepting the band’s primal instincts, and a concentrated attempt to maximize and revise said instincts. Yarmush:”It was a conscious decision to make the album sound like one song. We wanted to calm down a bit, even during the mixing process: our notes were simply ‘you have to settle down’. I couldn’t technically explain what I meant by that, but the songs needed to settle down. We were basically trying to hold back all the bombastic tendencies and make things sound very subtle.”
Though the world is becoming a more distorted, confusing place, The Witness extends a sonic lifeline to latch onto, one bolstered by years of friendship, chemistry and trust. For a band known for its cryptic magnetism, this album marks SUUNS’ most generous, stripped-down and affecting work to date. Shemie: “There’s always this restraint in SUUNS: the question of ‘how long can we hold off?’. I think it’s beautiful that way because it always brings out something unexpected. But if you’re willing to stick with us – at a show or through our music in general – it will pay off. It might take a while to get there, but we will drop a beat for you eventually. I love that we’ve been able to stick to the minimal side of things, and just let it breathe.”
Tickets £15 +bf
1A Amhurst Rd, Kingsland, London, E8 1LL